ͯÑÕÊÓƵ

Architecture serves as both a physical and symbolic vessel for memory, embedding the lived experiences, cultural heritage, and historical narratives of communities. In contexts marked by colonialism, displacement, and erasure, built environments are not passive structures but active sites of both trauma and resistance. This work explores how architecture functions as a medium for preserving and reclaiming collective memory, with a specific focus on Palestinian communities. Through an interdisciplinary approach integrating theoretical analysis, site based and participatory research, and design exploration, this study investigates how affected communities could engage with architectural spaces to resist erasure, assert identity, and preserve cultural heritage.

While much of the existing research on architectural memory and erasure focuses on systemic forces —such as governments and institutions — this study highlights bottom up strategies. It examines how Palestinians reclaim lost spaces through storytelling, rituals, community-driven practices and overall, the perpetuation of memory. By analyzing Palestinian architectural heritage alongside global case studies, this research identifies the role of architecture as a tool of resilience and agency. Furthermore, it explores how memory can be intentionally embedded into physical spaces to challenge forced forgetting and foster continuity.

Ultimately, this thesis proposal aims to contribute to a broader understanding of architecture as an instrument of memory and resistance, offering insights applicable to other contexts of conflict and displacement. By documenting lived experiences and examining memory-driven and sensitive architectural strategies, the research underscores the power of built environments in confronting erasure and sustaining human experiences and well-being.